Bart Rodyns


“…The only non-brass player was organist Bart Rodyns ,who did crucial and subtle work in ensemble capacities and as a poised soloist in several delights…”  (American tour, Early Music @ Pittsburgh)

“…Although its grand conclusion, featuring Bart Rodyns’s gutsy organ-playing, sets the seal on some splendid music-making…” (Review Gramophone @ UK)

“…Et on n’oubliera pas la juste virtuosité du soutien instrumental, dominé par le clavecin de Bart Rodyns, autre nom incontournable du programme…” (Review @ Paris)

Bart Rodyns collected several prizes at a very young age. He first studied organ/harpsichord with Dieter Van Handenhoven. Later he studied at the Music Conservatories of Antwerp and Maastricht. His principal teachers were Dorthy de Rooij, Hans Leenders, Joris Verdin and Marcel Verheggen. He concluded his studies with a Master of Music for Organ and Theory with the highest distinction.

Bart won several prizes at international competitions in Birmingham (UK) and Leiden (NL), and in Belgium (Brussels, Halle, and Kortrijk). He has made recordings for the Belgian, Dutch, French, Danish and Hungarian radio and was nominated for famous classical Radio: Klara’s Music Award 2010. In 2014, he was awarded a "golden label". In March 2017, he received the Culture Award of the City of Lier (B) because of his special merits in the field of culture. He plays concerts all over Europe and the USA.

The vocal and instrumental ensemble Euterpe BaroqueConsort of which Bart is the artistic leader and keyboard player interprets authentic music on historical instruments. In 2015 there appeared a highly praised CD with 4 organ concerts from G.F. Handel and M. Corrette. Recently there was the CD release with unpublished music of W.G. Kennis & Ch. Drymans (Label Phaedra). In October 2016 Euterpe BC completed the Integral recording of Handel Organ concertos (Op.4). He is the preferred keyboard player of Wim Becu’s ensemble Oltremontano (2 recordings, label Accent). And at the end of 2015, he re-established the historical ensemble The Party (1860) in which he plays the pressure reed organ, with soprano Hendrickje van Kerckhove, violinist Eliot Lawson and double bass player Lode Leire. They made a recording (UK Tour 1860) for the label ZeD Classics. And in 2018 together with Nicolas Callot, he recorded an LP and CD with works for harmonium and piano by C. Franck.

He works frequently with Les Muffatti, Oltremontano, Utopia, BachPlus, InAlto, Brussels Philharmonic, Osiris Brass, Antwerp Symphony Orchestra,…

Bart Rodyns also collects historical keyboards, including harpsichords (replica of Ruckers and Delin), continuo organs (Moors & Skrabl), an Erard square piano (1803), a Mustel Kunstharmonium (1910) and 6 other 19th-century reed organs (Debain and Alexandre), Mustel Celesta (1887),... He is also appointed as organist of the famous Forceville organ (ca.1720) at Broechem. His repertoire includes music from the Renaissance up to contemporary music.

From next academic year, Mr. Bart Rodyns will be appointed as professor Organ/Harpsichord/Harmonium at Fontys Academy of Music Tilburg in the Master of Music Program.

“…For me, the highlight of this whole Klara day was the high-quality performance of the Euterpe baroque ensemble, Director Bart Rodyns. They knew how to combine great professional skills with a deliberate and well-chosen fragility…” (Knack @ BOZAR)

“…The Consort is an example for all baroque ensembles. Euterpe is not only striving for perfection, its members listen carefully to each other and play accordingly. The performance was full of dynamics and good taste. Euterpe’s playing was truly appealing with nothing being left to chance: all ornaments were right, the phrasing was precise and the agogic perfect. In other words, this concert was a pure pleasure for the ear and a delightful moment of warmth and relaxation…” (PZC @ Muziekpodium Zeeland)

“…Still there was a link between the Gregorian and Kurdish sound universes, in their shared purity, sense of infinity, power to stir and respectfulness. The latter term also applied to the deeply focused performance of the Euterpe Baroque Consort and Capella Pratensis and director Bart Rodyns…” (Eindhovens Dagblad @ Oirschot)

“…During the interludes, I actually experienced a gentle wink and friendly smile to the soul. The applause was never-ending, which put a satisfied smile on all performers’ faces. It was a well-deserved ovation, as I felt I had witnessed, on that Sunday, April 1st, something ‘Flemish of incredible beauty’.” (Nieuwsblad @ Antwerp)

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F. Peeters


C. Franck